|
|
|
|
|
|
|
|
|
|
|
|
The new Collusion CD is currently being mixed and mastered and will be available soon... Watch this space! |
|
|
Good Question/Collusion (David Kelsey) would welcome
any feedback you may have, so send any comments, criticisms, encouragement,
etc. to frogpond@diddyweb.com |
|
|
|
|
|
|
|
|
Album: That's a Good Question Recorded: 1991 at Vibrafeel Studios, Inala, Queensland |
|
|
|
|
Performers |
David Kelsey: Vocals, Backing Vocals
Dave Elms: Guitars
Jenni Kelsey: Keyboards, Backing Vocals
Rudi Prudon: Bass
Fred Waters: Drums
Additional Performers:
Toni Menzies: Backing Vocals
|
|
|
|
|
Lyrics |
And I hear your breath so softly
On the pillow next to mine
And no matter how I try, I know
I can't reach into your mind
It's at times like this I wonder
Are we really all that close
So I close my eyes and drift away
Into something I can't lose
And I can't tell if it's me or you
And I can't tell what I wanna do
If we need so much, why do I feel used?
And if we care so much, why don't I love you?
Now sometimes I seem to find myself
Not wanting to come home
`Cos I know I'll have nothing to say
To a person I don’t know
I could leave you now and start again
But it's hard for me to do
So I'm lying here still next to you
There's a feeling I can't lose
And I can't tell if it's me or you
And I can't tell what I wanna do
If we need so much, why do I feel used?
And if we care so much, why don't I love you?
|
|
Lyrics: David Kelsey
Music: Good Question
Arranged: Good Question
Copyright: D'Kade Songs
|
|
|
|
|
A Bit of Trivia |
The original lyrics to this song were written in 1989 after DK and JK had yet another split.
The line in about "Why don't I love you?" in the chorus was originally written as "Why do I hate you?", but it was felt that the sentiment was far too negative and disrespectful, and so the original line was changed to a more positive thought.
The song is probably the strongest on the first album, although let down a little by the lack of a true solo part in the middle, mainly because we ran out of ideas for what to do with it.
The ending is strangely reminiscent of a Doors track, although unintentional.
|
|
|
|
|
|
|
|
| (758) |
| | (814) |
| | (716) |
| | (1117) |
| | (1091) |
| | (1107) |
| | (756) |
| | (1073) |
| | (766) |
| | (1030) |
| | (743) |
| | (740) |
| | (1048) |
| | (1155) |
| | (1044) |
| | (825) |
| | (773) |
| | (862) |
| | (1000) |
| | (730) |
| | (1096) |
| | (780) |
| | (1191) |
| | (1080) |
| | (1532) |
| | (768) |
| | (890) |
| | (1123) |
| | (1017) |
| | (1385) |
| | (1130) |
| | (1132) |
| | (1028) |
| | (1580) |
| | (1137) |
| | (876) |
|
|
|
|
|
|
|
|
|